Stage 32 8-Part Screenwriting Lab: Write your Sci-Fi or Fantasy Script in 8 Weeks
Six Saturday classes on Zoom and two private consultations take a writer with a sci-fi, fantasy or supernatural idea from logline to a revised draft.
starts in 4 days
Classes, labs and pitch events you attend from home, wherever you live. Each has a fixed date.
25 listed. Starts Oct 24, 2026 is the soonest.
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Six Saturday classes on Zoom and two private consultations take a writer with a sci-fi, fantasy or supernatural idea from logline to a revised draft.
starts in 4 days
Evan Anglin, who co-heads the animation department at Zero Gravity Management, leads this eight-week Sunday lab on Zoom for writers with an animated series in mind.
starts in 5 days
Writers who already have a full feature draft spend eight weekly Zoom classes revising it with screenwriter Jen Harrington, on Wednesday mornings Pacific time from December into February.
closes in 7 days
Twice a year Shore Scripts funds short films from scripts sent in by writers anywhere, with a USD 15,000 production grant for one script and USD 4,000 to help finish a film already shot.
closes in 10 days
In this six-week lab, literary manager Spencer Robinson of Art/Work Entertainment gives notes on a comedy pilot's outline, each act and the full draft.
starts in 11 days
Trey Ellis teaches this nine-week introduction to feature screenwriting for writers starting from an idea or a rough first draft.
closes in 13 days
Robert McKee's STORY seminar, given as 15 pre-recorded lectures of about 90 minutes, shown on Zoom three afternoons a week for five weeks.
starts in 14 days
Playwright and TV writer John Yearley takes up to eight writers from a bare idea to a full 15-beat outline using the Save the Cat method.
starts in 16 days
Writers who already have an outline, or a draft to rebuild, spend 15 weeks turning it into a complete feature draft of 90 to 120 pages.
closes in 20 days
Over two weeks on Zoom, writers draft a full 50-minute pilot for an original drama series, writing a few minutes a day and rewriting overnight.
starts in 20 days
Kat O'Brien teaches this Monday-to-Friday Zoom intensive on drafting a feature quickly, from 1 to 4 p.m. Pacific each afternoon.
closes in 23 days
A one-day Zoom class with screenwriter and story producer Tolula Dada on writing the documents that sell a TV idea: the premise, the logline, the characters and what keeps a series running.
starts in 24 days
Over eight self-paced weeks, writers take one short film idea to a finished script of 5 to 15 pages, with lectures by Asher Jelinsky and written notes from an advisor twice along the way.
closes in 27 days
For writers new to television, Angela LaManna's eight-week course works from a series idea to a full outline of the pilot episode.
closes in 27 days
A ten-week course for taking an original TV pilot from outline to a first draft under 60 pages.
closes in 27 days
Ten full days of live online teaching spread across five weekends, for at most eight students, each writing a short screenplay of their own with notes from tutors and classmates.
starts in 32 days
A one-day online class on putting together a pitch deck for a feature, TV pilot or limited series, taught by filmmaker Fenella Greenfield, who runs Euroscript's annual Screen Story…
starts in 40 days
Holiday TV movies are the whole subject of these four evening Zoom classes with Karen Schaler and Joany Kane, both of whom have written Christmas films for Netflix, Hallmark and Lifetime.
starts in 41 days
Two days on Zoom with Jackie Thornton, a development script editor who has worked for See-Saw Films and Netflix UK, on reading a script critically and writing notes a writer can act on.
starts in 51 days
Oxford's continuing education department runs this ten-week online course for people starting their first feature screenplay.
starts in 83 days
A Shore Scripts program for writers who want to direct: send the opening 5 to 20 pages of a feature, pilot or short, and eight winners join a nine-week directing course on Zoom with a…
closes in 91 days
Writers with a feature idea meet online every Wednesday evening for ten weeks to turn it into a four-page treatment and a finished first act, reading each other's pages along the way.
starts in 106 days
Playwright and screenwriter Ishy Din spends a Friday on Zoom testing whether an idea can carry a television series: its world, characters who generate plot, and a structure that keeps…
starts in 122 days
Over four days in March, up to 50 writers pitch one-on-one by Zoom to agents, managers, producers and studio executives.
starts in 143 days
Peter Ansorge, a former head of drama at Channel 4, runs three online days on shaping a drama idea and pitching it out loud.
starts in 197 days